Henri Matisse at the Grand Palais: From Paper Cut-Outs to Aubusson Tapestries

Henri Matisse at the Grand Palais

The major Henri Matisse exhibition currently presented at the Grand Palais offers visitors a unique opportunity to rediscover one of the most innovative chapters in the artist's career. Focusing on the final years of his life, the exhibition highlights the extraordinary creative freedom that emerged through his celebrated paper cut-outs.

Created after years of experimentation, these works represent the culmination of Matisse's lifelong pursuit of colour, rhythm and simplification. Reduced to their essential forms, they reveal an artistic language of remarkable clarity and power that continues to influence contemporary art and design.

Among the masterpieces of this period, Polynesia, The Sea and Polynesia, The Sky remain among the most iconic.

 

The Poetry of Polynesia

Inspired by memories of travel and by Matisse's fascination with the natural world, Polynesia, The Sea and Polynesia, The Sky evoke an imaginary universe populated by birds, coral forms, marine life and floating silhouettes.

Created from cut paper painted in vibrant colours, these compositions transcend the traditional boundaries between painting and decoration. The deep blue backgrounds, animated by luminous white forms, create a sense of movement and serenity that has become synonymous with Matisse's late style.

More than representations of nature, these works are visual meditations on space, light and freedom.

 

From Cut-Outs to Aubusson Tapestries

 The translation of the Polynesia compositions into Aubusson tapestry represents one of the most successful encounters between modern art and traditional craftsmanship.

Far from being simple reproductions, these tapestries bring a new dimension to Matisse's vision. Through the richness of wool and the subtlety of weaving, the compositions acquire a physical presence that enhances their monumental and architectural qualities.

The transformation from paper to textile reveals the extraordinary adaptability of Matisse's imagery and demonstrates how naturally his work lends itself to the language of tapestry.

 

Art, Decoration and Architecture

 Throughout his career, Matisse sought to create an art that could inhabit everyday life. His late works, particularly the cut-outs, reflect this ambition with exceptional clarity.

In tapestry form, Polynesia, The Sea and Polynesia, The Sky fully embody this ideal. They are works that engage directly with space, transforming walls into environments and creating a dialogue between art and architecture.

This ability to unite artistic innovation with decorative beauty explains why these compositions continue to resonate with collectors, museums and interior designers around the world.

 

Galerie Hadjer and the Legacy of Modern and Post-War Tapestries

As specialists in twentieth-century artist-designed tapestries, Galerie Hadjer has long been committed to preserving and promoting the dialogue between modern art and the exceptional traditions of Aubusson.

The renewed attention brought by the Grand Palais exhibition offers an opportunity to appreciate how Matisse's vision continues to live beyond the medium of paper and painting. Through tapestry, his iconic forms gain new scale, texture and permanence while remaining faithful to the spirit of the original works.

More than seventy years after their creation, Polynesia, The Sea and Polynesia, The Sky remain among the most compelling examples of how great modern art can transcend mediums and generations.

2026年6月6日